Promotional artwork for the 1928 film adaptation of Victor Hugo’s novel, typically featuring Conrad Veidt’s iconic, surgically-altered grin, serves as a visual representation of the film’s dark themes and grotesque imagery. These images vary in design and style, from simple title cards with a single image to more elaborate compositions incorporating multiple characters or scenes. Examples include original release posters, lobby cards, and modern reproductions.
Such artwork is essential for film promotion and audience engagement. Historically, these materials attracted viewers and conveyed the film’s atmosphere. They now serve as valuable collectibles, offering insights into early cinema marketing and graphic design trends of the era. Preserved examples provide valuable historical context for the films reception and its enduring cultural impact.