The lyrics and libretto of Michael Flatley’s stage show, Lord of the Dance, draw upon various sources. These include traditional Irish song and verse, newly composed lyrics specifically for the production, and adaptations of poems and literary works related to Irish mythology and folklore. For instance, the song “Cry of the Celts” incorporates elements of traditional Irish keening, while other songs feature more contemporary musical styles.
The textual component of the show contributes significantly to its narrative structure and emotional impact. By combining established cultural references with original material, the production creates a blend of familiar and novel elements, deepening audience engagement. This approach allows the story of the mythical Lord of the Dance to resonate with contemporary audiences while simultaneously honoring Irelands rich artistic heritage. Understanding the diverse textual origins enhances appreciation for the performance’s complex tapestry of music, dance, and storytelling.